Which sells, sex or sexy? As we know, the answer is, both sell. Some audiences are impatient, others prefer drawing a little tension-building romance and seduction. The act – and the writing of the act – are intensely personal. As with any form of writing, the more you practice, the better you get. But practice what, and how?
Attraction, they say, begins with the eyes. Male or female, we see something we like and quickly – almost primitively – begin plotting to get it. Sometimes the plotting is deliberate and obvious; sometimes it’s sweet and subtle.
Where does it happen? Why does it happen? What do our eyes take in? What smells are in the air? Where does attraction strike and how long does it take to go from mutual appreciation to a shared laugh … to hands touching … to a private setting and then to a first kiss? Or does it all happen in plain view – say on the beach at sunset – or at 2 a.m. in a club with music blaring and the bass cranked up so high, it feels like your own heartbeat?
Most relevant from the writer’s perspective, how do we capture the sexual tension as well as the act – for the two are not the same – in a way that is arousing, revealing – in terms of character development – and which successfully moves the story forward?
I hope you’ll join me for a webinar that will explore these questions and many more on March 28 at 1:30 p.m. EST. Mark your calendars and sign up here.
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